#synths

37 stories

Stories tagged #synths on Sampled — sound, style, and scenes, all in one place.

The 35 best free plugins in 2026 (and what the internet actually says about them) — Free synths, EQs, compressors, reverbs…
Gear

The 35 best free plugins in 2026 (and what the internet actually says about them)

Free synths, EQs, compressors, reverbs and meters worth installing in 2026 — including one free Sampledex plugin — with direct developer download links and no aggregator installers.

The best synths of 2026: Korg phase8 leads a strange, strong year — Our picks for the best synthesizers of 2026 so far
Gear

The best synths of 2026: Korg phase8 leads a strange, strong year

Our picks for the best synthesizers of 2026 so far — Korg's acoustic phase8, Modal's ELEMENT One, Behringer's JT-2 and Arturia's Memory V — with specs and prices taken straight from the manufacturers.

The 1982 acid house record that predates acid house is back in print — Light in the Attic's remastered reissue of Charanjit…
Feature

The 1982 acid house record that predates acid house is back in print

Light in the Attic's remastered reissue of Charanjit Singh's "Synthesizing: Ten Ragas to a Disco Beat" is finally in listeners' hands — and on August 11 it got the national radio treatment it never got in 1982.

Overmono made a dance album that doesn't constantly beg for the drop — Pure Devotion arrived August 7
Production

Overmono made a dance album that doesn't constantly beg for the drop

Pure Devotion arrived August 7 — eleven tracks written in the Icelandic mountains with two synthesisers and an FX unit. What happens to club production when you stop optimising every arrangement for a viral clip?

FM synthesis: how to program it on purpose instead of by accident — Operators, algorithms and ratios
Production

FM synthesis: how to program it on purpose instead of by accident

Operators, algorithms and ratios — the three things that decide whether FM gives you a bell, an electric piano or a mess.

Building drums on an analog synth: noise, pitch envelopes and the 90 ms rule — Kicks, snares, hats and toms from a single…
Production

Building drums on an analog synth: noise, pitch envelopes and the 90 ms rule

Kicks, snares, hats and toms from a single voice — what actually creates each sound, and the envelope settings that matter.

Velocity, aftertouch and mod wheel: making a hardware synth sound played — Most synth patches sound programmed because…
Upskill

Velocity, aftertouch and mod wheel: making a hardware synth sound played

Most synth patches sound programmed because nothing responds to the hands. Four routings fix that.

String machines: the cheapest way to get a huge analog pad — Divide-down oscillators, BBD ensemble chorus, and why a…
Gear

String machines: the cheapest way to get a huge analog pad

Divide-down oscillators, BBD ensemble chorus, and why a paraphonic 1970s design still beats a modern polysynth for one specific job.

Granular synthesis on hardware: turning three seconds of audio into a whole track — Grain size, density, position and pitch
Production

Granular synthesis on hardware: turning three seconds of audio into a whole track

Grain size, density, position and pitch — the four controls that matter, and how to keep granular textures from turning to mush.

Additive synthesis explained: building sound one harmonic at a time — Why the oldest idea in electronic music is also the…
Production

Additive synthesis explained: building sound one harmonic at a time

Why the oldest idea in electronic music is also the most literal, and how to use additive thinking even on a synth that has no additive engine.

West Coast synthesis: wavefolding, low-pass gates and why it sounds nothing like a Moog — Subtractive synthesis starts loud…
Gear

West Coast synthesis: wavefolding, low-pass gates and why it sounds nothing like a Moog

Subtractive synthesis starts loud and removes harmonics. West Coast synthesis starts simple and adds them. Here is how that changes the way you patch.

Wavetable synthesis on hardware, explained without the math — What a wavetable actually is, why scanning it sounds…
Production

Wavetable synthesis on hardware, explained without the math

What a wavetable actually is, why scanning it sounds different from a filter sweep, and how to program moving timbres that stay musical.

The Prophet-5 sound: five underground tracks that built the legend (and where it lives now) — From boogie B-sides to…
Feature

The Prophet-5 sound: five underground tracks that built the legend (and where it lives now)

From boogie B-sides to ambient dubplates, the Sequential Prophet-5 quietly shaped half a century of underground music. Here are five records that prove it — and the GForce plugin trying to keep the sound alive in 2026.

Best Free VST Plugins for Producers — A practical guide to the best free VST plugins for producers, beatmakers, artists…
Gear

Best Free VST Plugins for Producers

A practical guide to the best free VST plugins for producers, beatmakers, artists, and home-studio creators.

Analog synth myths that will not die — Blind-test reality checks on warmth, presets, and the idea that a filter can fix a…
Gear

Analog synth myths that will not die

Blind-test reality checks on warmth, presets, and the idea that a filter can fix a bad idea.

Small studio signal flow for a hardware synth rig — Mixers, interfaces, and monitoring choices that scale from one synth to…
Gear

Small studio signal flow for a hardware synth rig

Mixers, interfaces, and monitoring choices that scale from one synth to six.

Hybrid setups: analog voices, digital brains — Sequencing hardware from a DAW without losing the immediacy that made you…
Gear

Hybrid setups: analog voices, digital brains

Sequencing hardware from a DAW without losing the immediacy that made you buy hardware.

Effects for analog synths: what to buy first — Reverb, delay, and drive in the order that actually improves your patches
Gear

Effects for analog synths: what to buy first

Reverb, delay, and drive in the order that actually improves your patches.

Modulation matrices explained — Fixed routings versus free assignment, and why a matrix changes how you write, not just how…
Gear

Modulation matrices explained

Fixed routings versus free assignment, and why a matrix changes how you write, not just how you patch.

Analog synths for live performance — Patch recall, tuning under stage lights, and building a rig you can carry in one trip
Gear

Analog synths for live performance

Patch recall, tuning under stage lights, and building a rig you can carry in one trip.

Prophet-style polys: the sound of stacked voices — How voice cards, unison, and detune create the width people chase with…
Gear

Prophet-style polys: the sound of stacked voices

How voice cards, unison, and detune create the width people chase with plugins.

The Minimoog architecture and why it still teaches — Three oscillators, one filter, two envelopes
Gear

The Minimoog architecture and why it still teaches

Three oscillators, one filter, two envelopes. The template most synths still argue with.

Vintage vs reissue vs clone: which one should you buy? — Three ways to get the same architecture at wildly different prices…
Gear

Vintage vs reissue vs clone: which one should you buy?

Three ways to get the same architecture at wildly different prices and risk levels.

Analog synth maintenance: calibration, pots, and keys — Scratchy pots, drifting tuning, and dead keys
Gear

Analog synth maintenance: calibration, pots, and keys

Scratchy pots, drifting tuning, and dead keys. What you can do at home and when to stop.

Buying used analog synths without getting burned — The tests to run in ten minutes, the faults that are cheap, and the…
Gear

Buying used analog synths without getting burned

The tests to run in ten minutes, the faults that are cheap, and the faults that are a project.

Analog vs digital oscillators: an honest comparison — What analog genuinely does better, what digital does better, and…
Gear

Analog vs digital oscillators: an honest comparison

What analog genuinely does better, what digital does better, and where the difference stops mattering.

Sync your analog gear: clock, DIN, and drift — Master clock choices, why your machine rushes the downbeat, and how to fix…
Gear

Sync your analog gear: clock, DIN, and drift

Master clock choices, why your machine rushes the downbeat, and how to fix timing at the source.

MIDI, CV, and gate: making old and new gear talk — Volts per octave, Hz per volt, S-trig, and the converters that stop a…
Gear

MIDI, CV, and gate: making old and new gear talk

Volts per octave, Hz per volt, S-trig, and the converters that stop a hybrid setup from fighting itself.

Analog drum machines vs sample-based boxes — Voice synthesis versus playback, and why most producers end up running both
Gear

Analog drum machines vs sample-based boxes

Voice synthesis versus playback, and why most producers end up running both.

Portable synths worth taking on a train — Battery power, built-in speakers, and keybeds that survive a backpack
Gear

Portable synths worth taking on a train

Battery power, built-in speakers, and keybeds that survive a backpack. Sketching away from the studio.

Oscillator drift is the sound: tuning stability explained — The instability people pay extra for, the instability that…
Gear

Oscillator drift is the sound: tuning stability explained

The instability people pay extra for, the instability that ruins takes, and how to tell them apart.

Analog filters: ladder, state-variable, and diode compared — Why two synths with the same oscillators sound nothing alike…
Gear

Analog filters: ladder, state-variable, and diode compared

Why two synths with the same oscillators sound nothing alike once you sweep the cutoff.

Eurorack on a budget: your first 84HP — A sane starter rack, the modules that earn their space, and the ones that quietly…
Gear

Eurorack on a budget: your first 84HP

A sane starter rack, the modules that earn their space, and the ones that quietly waste it.

Semi-modular for people who hate patch cables — Semi-modular gear works out of the box and only asks for cables when you…
Gear

Semi-modular for people who hate patch cables

Semi-modular gear works out of the box and only asks for cables when you want more. A gentle way in.

The best analog synths under $500 right now — Real voltage-controlled instruments that cost less than a decent audio…
Gear

The best analog synths under $500 right now

Real voltage-controlled instruments that cost less than a decent audio interface, and what each one gives up.

Mono vs paraphonic vs polyphonic: what you are actually buying — Voice count is the single most misread spec in synth…
Gear

Mono vs paraphonic vs polyphonic: what you are actually buying

Voice count is the single most misread spec in synth shopping. Here is what each mode can and cannot do.

Analog synths in 2026: why the oscillators came back — Analog is not nostalgia anymore
Gear

Analog synths in 2026: why the oscillators came back

Analog is not nostalgia anymore. Here is what actually changed in circuits, prices, and workflows to put voltage back in bedrooms.