SAMPLED▌ BUSINESS
32 stories
Stories filed under Business on Sampled — sound, style, and scenes, all in one place.
Merlin bought a royalty accounting company — and that says more than most catalogue deals
The independent licensing body and an investment partner completed their acquisition of Curve Royalty Systems. Accounting infrastructure is the quiet fight in independent music.
When a visa disappears mid-tour: what actually happens, and what an artist can do
A U.S. run was pulled this week after a visa was revoked. The mechanics are worth understanding before it is your routing.
Work the problem: how to solve, lead, and know when to ask for help
A working method for creators, borrowed from Apollo 13's flight director: separate what you know from what you are guessing, lead your own station, hand off what you are bad at, and aim for the correct result instead of being personally right.
Free music licensing courses and resources that actually exist
University courses you can audit for nothing, free micro-courses from the organisation that pays your streaming mechanicals, and government video series — every resource here is real, free to access, and linked.
Maluma handed his world tour to an Argentinian promoter, not an American one
Fenix Entertainment will lead strategy for his 2027–2028 global run. For Latin music at this scale, that is a meaningful choice about where the centre of gravity sits.
Ellie Goulding's lawsuit is really a lesson about who owns your manager
She alleges her managers never told her their parent company was owned by Live Nation while she was signing Live Nation touring and merch deals. Read the ownership chart before you sign anything.
Two Suno lawsuits quietly disappeared this week — and nobody explained why
Jamendo and the duo The American Dollar both walked away from their copyright cases. One can come back. One cannot. That difference tells you almost everything.
Round Hill sues Suno and Anthropic, and says each case could top $1 billion
An independent publisher just did what the majors did — twice in one filing day — and the damages language is the part every songwriter should read.
Caroline Rose started a label in May and is releasing her own album on it in October
SUCK Records' first full-length is hers. The artist-owned imprint is having a moment — here is what one actually costs you.
Effective altruism, explained for business — and what it says about AI in music
What effective altruism actually is as a business framework, which people in and around music already operate this way, why the tech world adopted it so hard, and how the same logic lands on AI, record labels and the value of a song.
The majors in 2026, part 3: Sony Music
Sony's music segment posted ¥562.0 billion in quarterly sales, up 21%, with operating income of ¥105.9 billion — plus a raised full-year forecast on the back of consolidating Recognition Music Group.
The majors in 2026, part 2: Warner Music Group
WMG's 2026: a fiscal Q3 with revenue up 10% and net income of $200 million, an abrupt CFO exit, Tom Corson promoted to COO, and an AI strategy built on buying attribution technology.
The majors in 2026, part 1: Universal Music Group
UMG's 2026 so far, read from its own filings and press releases: double-digit revenue growth, the Downtown consolidation, a €500m buyback plus a €250m Pershing Square exit, and a licensed-AI strategy built on settlements.
Megan Thee Stallion went to Interscope and kept everything
A distribution deal, not a record deal. She keeps her masters and her publishing, Hot Girl Productions stays the label, and Interscope handles the world. Here is what that structure actually is.
Music charity, audited: how to give to the industry without wasting the money
Benefit shows, donation tins and relief funds move real money through music every year. Here is an effective altruism framework for checking whether yours does anything — plus the paperwork that tells you the truth.
Effective altruism for creative entrepreneurs: the part that actually helps your business
Strip away the campus-debate baggage and effective altruism is a resource-allocation discipline — scale, neglectedness, tractability, evidence. Here is how it applies to running a small creative brand, and how Sampled uses it.
Wixen wants $102M from Meta — here's what the filing actually says
A publishing administrator, 681 songs, five legal counts, and a motion to dismiss heard on August 3. Strip out the headline number and the case is really about what happens when a music licence expires and the platform keeps running.
Beggars Group told AI companies no in writing — here's exactly what the notice says
The indie group behind XL, 4AD, Matador and Rough Trade has published a blanket reservation of rights against text and data mining. It is short, broad, and worth reading line by line if you own recordings.
Music metadata explained: ISRC, UPC, ISWC and the credits that get you paid
Identifiers and credits decide whether your royalties find you. A practical walkthrough of ISRC, UPC, ISWC and release credits, using the free public standards and databases you can check yourself.
Roblox just signed music's biggest promoter and one of its fastest-growing distributors — in the same week
Live Nation and Too Lost both announced Roblox music deals in the same week. Read side by side, the two press releases reveal how the platform is turning games into a discovery channel.
How to copyright your music in the U.S. (and why it actually matters)
You own your song the second you record it — but registering it is what lets you enforce it. Here's how to file with the U.S. Copyright Office, what it costs, and the mistakes producers keep making.
ASCAP vs BMI vs SESAC: Which PRO Should You Actually Join?
Every songwriter eventually hits the same wall: pick a performing rights organization. Here's the honest, no-jargon breakdown of ASCAP, BMI, and SESAC — how they pay, what they cost, and who each one is really built for.
How to Build a Music Release Calendar That Actually Works
A practical, no-fluff guide to planning singles, EPs, and albums so your releases build momentum instead of burning you out.
10 Services Music Producers Can Sell Online (And Where to Post Them)
From mixing and mastering to ghost production and coaching, here are ten proven services producers can offer today — plus the best platforms to list them, from SoundBetter and AirGigs to Fiverr and your own site.
Where Can I Submit My Music for Sync? A Producer's Directory of Blogs, Libraries, and Licensing Platforms
A running list of blogs, newsletters, platforms, and listening sessions that actually accept submissions — and what to send them.
How creatives actually make money in 2026: the real playbook, no filler
Eight income streams with the exact platforms, price points, and moves. Pick two, run them for 90 days, ignore the rest.
Half the year is gone: the mid-year checklist every producer should run on July 1
Royalties, splits, expenses, backups, and the boring stuff that costs you money in April if you skip it now.
DistroKid vs TuneCore: Which Is Better for Independent Artists?
A practical comparison of DistroKid and TuneCore for independent artists deciding where to release music.
CD Baby vs DistroKid: Which Distributor Should You Use?
A practical comparison of CD Baby and DistroKid for musicians deciding how to release singles and albums.
Best Music Sync Submission Websites for Independent Artists
A real breakdown of where to actually pitch your music for film, TV, ads, games, and creator projects — and why most artists are using the wrong door.
Best Websites to Sell Beats Online for Producers
BeatStars, Airbit, Soundee, Traktrain — which platform actually fits how you sell, and what to stop pretending about the beat game.
Best Music Distribution Services for Independent Artists
DistroKid, TuneCore, CD Baby, UnitedMasters, LANDR, ONErpm, Amuse — the distributor you pick is a business decision, not an upload decision.