SAMPLEDWhere Can I Submit My Music for Sync? A Producer's Directory of Blogs, Libraries, and Licensing Platforms
A running list of blogs, newsletters, platforms, and listening sessions that actually accept submissions — and what to send them.
A single well-placed sync can do more for a producer's bank account than years of streaming fractions. The problem isn't the music — most underground artists already have the sonics. The problem is knowing where to aim. Music supervisors, trailer houses, and ad agencies get flooded with cold pitches, but they also publish exactly what they need on blogs, newsletters, and submission portals. The trick is showing up on the right ones with the right files.
This is a living directory of sync blogs, newsletters, and platforms that actively accept submissions from independent producers and artists. Bookmark it, check it monthly, and don't spam.
Blogs and newsletters that post real briefs
That Pitch
That Pitch (opens in a new tab) runs a sync blog that breaks down the business in plain language and regularly surfaces opportunities. Their guides cover how independent artists submit music for sync licensing, how bands work with music libraries, and what "pitch to placement" actually looks like. It's a good starting point if you're still figuring out whether to pitch supervisors directly or sign with a library first.
DropCue
DropCue (opens in a new tab) maintains one of the more current lists of sync licensing companies actually accepting submissions in 2026. Beyond the blog, DropCue also runs a "Music Briefs" system where supervisors post what they're looking for and composers respond with targeted tracks. If you want briefs to come to you instead of chasing them, their briefs guide (opens in a new tab) is worth reading.
Sync Summit
Sync Summit (opens in a new tab) is part conference, part resource hub. Their "24 Steps for Sync Success" checklist is a no-nonsense guide to preparing and presenting music so supervisors can clear it quickly. They also host listening sessions (opens in a new tab) that connect unsigned artists and producers directly with music supervisors and licensing decision-makers.
Groover / Sync Money
Groover's blog (opens in a new tab) has interviewed the founders of Sync Money about how independent artists get music into TV, film, and advertising. The post is less a submission portal and more a strategic primer, but it links out to actionable paths and explains how royalties work after a placement lands.
New Music Review
New Music Review (opens in a new tab) publishes Phil Loutsis's independent artist's guide to sync licensing, which demystifies the "dark art" of the industry. It's a strong read before you start firing off emails.
Platforms and libraries that accept submissions
Musicbed
Musicbed is a curated licensing platform used by filmmakers and brands. They accept artist submissions, but the bar is high — they want finished, mix-ready songs with clear ownership. If your sound leans cinematic, indie, or soulful, this is a natural target.
Artlist
Artlist operates on a subscription model and commissions new music constantly. They're open to producers who can deliver stems, alternate mixes, and instrumental versions. Their catalog leans toward modern, editable production music.
Epidemic Sound
Epidemic Sound works with creators and platforms at scale. They sign producers to create exclusive catalog music. The deal is different from a traditional sync placement — you're writing for their library — but the volume can be significant if your style fits.
Tunefind
Tunefind is the database music supervisors use to figure out what song played in what scene. Getting your music listed and tagged correctly there makes you findable. It's not a submission portal per se, but visibility on Tunefind often leads to inbound sync inquiries.
Songtradr
Songtradr is a marketplace and licensing platform that lets artists upload tracks and pitch them to active briefs. They also administer publishing and sync rights, which can simplify the back-end paperwork.
Soundstripe
Soundstripe licenses music to video creators, brands, and agencies. They accept submissions from producers and artists, especially those who can deliver clean, mix-ready instrumentals in popular genres.
What "sync-ready" actually means
Supervisors don't have time to chase missing files. Before you submit anywhere, make sure you have:
- Clean instrumental versions of every vocal track.
- Stems or at least a split-stem package for edits.
- Accurate metadata: song title, artist, writers, splits, BPM, key, mood tags.
- One-sheet or EPK with a short bio, contact info, and clear rights ownership.
- No uncleared samples. This is the fastest way to get ignored.
If you're pitching to a blog or newsletter brief, follow the instructions exactly. If they ask for a private SoundCloud link, don't send a Dropbox folder. If they want instrumental versions, don't send the vocal mix. The people who get repeat placements are the ones who make the supervisor's job easier.
A few honest notes
Sync is not a lottery. It's a relationship business that rewards consistency. The producers who land placements are usually the ones who:
- Study the brief and only submit when they genuinely fit.
- Keep their catalog organized and tagged.
- Follow up politely, not desperately.
- Treat every placement — even a small one — like a professional credit.
Start with the blogs and newsletters above to understand the language, then move into the platforms and libraries once your files are ready. You don't need a manager or a publisher to get started. You need good music, clean paperwork, and a list of places that are actually listening.