#synthesis

14 stories

Stories tagged #synthesis on Sampled — sound, style, and scenes, all in one place.

A twelve-month plan to learn synthesis properly — A structured practice route from first patch to confident sound design…
Upskill

A twelve-month plan to learn synthesis properly

A structured practice route from first patch to confident sound design, one skill per month.

Sampling your own analog synth into a library — Multisampling, round robins, and when a sampled patch beats the real thing…
Production

Sampling your own analog synth into a library

Multisampling, round robins, and when a sampled patch beats the real thing on a deadline.

Analog warmth is mostly distortion. Here is the proof — Harmonics, headroom, and noise floors
Production

Analog warmth is mostly distortion. Here is the proof

Harmonics, headroom, and noise floors. Naming what people hear when they say a synth sounds warm.

Arpeggiators and sequencers: writing with hardware — Step entry, ratcheting, and gate length as a composition tool rather…
Production

Arpeggiators and sequencers: writing with hardware

Step entry, ratcheting, and gate length as a composition tool rather than a preset toy.

Sub-bass on analog: getting weight without smear — Sine sub layers, sidechain alternatives, and the mono discipline that…
Production

Sub-bass on analog: getting weight without smear

Sine sub layers, sidechain alternatives, and the mono discipline that keeps clubs happy.

Patch design for house and techno leads — Short envelopes, filter accents, and the mixing space a lead actually needs in a…
Production

Patch design for house and techno leads

Short envelopes, filter accents, and the mixing space a lead actually needs in a club track.

Ring mod, FM, and hard sync on analog synths — Three ways to get metallic, aggressive tones out of two humble oscillators
Production

Ring mod, FM, and hard sync on analog synths

Three ways to get metallic, aggressive tones out of two humble oscillators.

LFOs beyond wobble: modulation that stays musical — Slow drift, keyed retrigger, and routing choices that add movement…
Production

LFOs beyond wobble: modulation that stays musical

Slow drift, keyed retrigger, and routing choices that add movement without cartoon effects.

Envelopes: attack, decay, and the shape of a sound — Most bad patches are envelope problems
Production

Envelopes: attack, decay, and the shape of a sound

Most bad patches are envelope problems. A working method for shaping transients and tails.

Building analog pads that do not turn to mud — Detune, filter tracking, and the arrangement moves that keep wide patches…
Production

Building analog pads that do not turn to mud

Detune, filter tracking, and the arrangement moves that keep wide patches out of the vocal's way.

The 303 sound: how acid actually works — Slides, accents, and a resonant filter pushed past polite
Production

The 303 sound: how acid actually works

Slides, accents, and a resonant filter pushed past polite. Building acid lines on anything you own.

How to record analog synths without ruining the low end — Gain staging, DI vs line, and the high-pass decisions that keep a…
Production

How to record analog synths without ruining the low end

Gain staging, DI vs line, and the high-pass decisions that keep a fat patch fat in a mix.

How to program your first analog bass patch — A step-by-step patch you can build on any two-oscillator mono synth, plus the…
Production

How to program your first analog bass patch

A step-by-step patch you can build on any two-oscillator mono synth, plus the three knobs that do most of the work.

Subtractive synthesis explained without the math — Oscillator, filter, amp, envelope
Production

Subtractive synthesis explained without the math

Oscillator, filter, amp, envelope. The four blocks that make almost every analog patch you have ever loved.