SAMPLED▌ FRONT AND CENTER
Music producer contract: every clause explained, and the numbers that count as standard
Points, splits, work for hire and the sample clause — a plain-English walk through what actually belongs in a producer agreement before anybody hits record.
// also right now
MusicDolly Parton's career, start to finish: the songs, the albums, and the coat she gave everybody
From Locust Ridge radio to the Rock & Roll Hall of Fame — the records that matter, the copyrights she refused to give away, and what a working artist can actually take from sixty years of it.
MusicThe Opry is giving Dolly Parton back to the room that made her: how to watch tonight
Tonight the Grand Ole Opry dedicates its Saturday show to Dolly Parton, with Carly Pearce, Kathy Mattea, Molly Tuttle, Dan Tyminski and more. Here is the start time, the lineup and every free way to watch or listen.
// from the dispatch
Modulation matrices explained
Fixed routings versus free assignment, and why a matrix changes how you write, not just how you patch.
Sub-bass on analog: getting weight without smear
Sine sub layers, sidechain alternatives, and the mono discipline that keeps clubs happy.
Patch design for house and techno leads
Short envelopes, filter accents, and the mixing space a lead actually needs in a club track.
Analog synths for live performance
Patch recall, tuning under stage lights, and building a rig you can carry in one trip.
Prophet-style polys: the sound of stacked voices
How voice cards, unison, and detune create the width people chase with plugins.
The Minimoog architecture and why it still teaches
Three oscillators, one filter, two envelopes. The template most synths still argue with.
Vintage vs reissue vs clone: which one should you buy?
Three ways to get the same architecture at wildly different prices and risk levels.
Analog synth maintenance: calibration, pots, and keys
Scratchy pots, drifting tuning, and dead keys. What you can do at home and when to stop.
Buying used analog synths without getting burned
The tests to run in ten minutes, the faults that are cheap, and the faults that are a project.