What Are the Last 10 Songs on the Billboard Hot 100 This Week? (October 17, 2026)

The top 10 gets the headlines, but the other end of the Billboard Hot 100 has a story of its own. On the chart dated October 17, 2026, positions 91–100 include three new entries, three re-entries and four songs that also appeared on the previous week's chart. That makes this a useful place to discover songs without mistaking every low-ranked entry for a brand-new release.

This is the companion to our October 17 Billboard Hot 100 top-ten article. Both pieces cover the same chart week. The list below follows Billboard's dated official chart↗ (opens in a new tab), checked on October 18, rather than an undated playlist or a prediction of the next chart.

Which songs are at Nos. 91–100?

This week	Song and artist	Last week	Peak	Weeks on chart
91	“Hands Up” — Jelly Roll	92	82	8
92	“God I'm Just Grateful” — Elevation Worship & Chandler Moore	87	87	5
93	“Storm II” — GENER8ION & Yung Lean	New	93	1
94	“BA” — Quavo & Future	New	94	1
95	“Dance With Me” — Bruno Mars	Re-entry	42	3
96	“Slap The City” — Drake & Qendresa	Re-entry	39	4
97	“Kingdom Of Fear” — Cameron Whitcomb	96	94	9
98	“Why Don't You Say So” — Dexter And The Moonrocks & Avery Anna	New	98	1
99	“WNBA” — Drake	Re-entry	28	5
100	“What's Wrong With Me” — Olivia Rodrigo & Robert Smith	88	17	16

Source: Billboard Hot 100, week of October 17, 2026. “Peak” means the song's highest chart position to date, not this week's position. Weeks on chart is its accumulated chart total; a re-entry is not a debut.

91. “Hands Up” — Jelly Roll

Jelly Roll moves up one place, from No. 92 to No. 91, in the song's eighth chart week. Its peak is No. 82. Of the four tracks in this slice that were also on last week's chart, this is the only one moving upward.

For learners, this is a straightforward example of why position and direction are different measurements. No. 91 is relatively low on this particular list, but this week's movement is positive. That does not establish why it rose, or guarantee a bigger climb next week.

92. “God I'm Just Grateful” — Elevation Worship & Chandler Moore

The Elevation Worship and Chandler Moore collaboration falls five places, from No. 87 to No. 92, in its fifth week. No. 87 remains its peak.

Billboard credits both acts on the chart. Looking at that artist line matters when searching for the recording: a song title alone can lead to covers, live versions or similarly titled tracks. Here, the chart history tells us it has already reached a higher position, rather than arriving at No. 92 for the first time.

93. “Storm II” — GENER8ION & Yung Lean

“Storm II” is a new entry at No. 93, making this its first Hot 100 week and its current peak. It is the highest of the three debuts within positions 91–100—not necessarily the highest debut anywhere on the full chart.

This is one of the clearest discovery picks in the group if you want to follow a song from its first chart appearance. A debut tells us when it first enters this chart; it does not, by itself, tell us when the recording was released or what caused its audience to grow.

94. “BA” — Quavo & Future

Quavo and Future enter at No. 94 with “BA.” Like “Storm II,” the track has one week on the chart, so its debut position and peak are currently the same.

The useful next comparison is whether it remains on the following chart and how its position changes. One debut is a snapshot, not enough evidence to call a record a long-running hit or a disappointment. The artist names make this a recognizable collaboration, but this chart row does not provide a breakdown of its streams, sales and radio audience.

95. “Dance With Me” — Bruno Mars

Bruno Mars re-enters at No. 95. “Dance With Me” has accumulated three chart weeks and previously reached No. 42.

The distinction is important: this is not a new No. 95 debut. The song has appeared before, left the chart and returned. Its earlier peak also shows that its audience footprint on the Hot 100 was once stronger relative to the other songs being ranked. The chart does not explain the reason for this return, so it would be premature to credit a specific video, performance or campaign.

Photo: Ezra Jeffrey via Wikimedia Commons↗ (opens in a new tab) (CC0). Illustrative concert photograph; not a performance by one of the artists listed here.

96. “Slap The City” — Drake & Qendresa

“Slap The City” returns at No. 96, with four total weeks on the Hot 100 and a peak of No. 39. Qendresa shares the chart's artist credit with Drake.

That earlier top-40 peak separates its story from the debuting songs a few places above it. It is a returning track, not a first arrival. It also gives readers a reason to check the full artist credit rather than treating every Drake entry as a solo recording.

97. “Kingdom Of Fear” — Cameron Whitcomb

Cameron Whitcomb slips one place, from No. 96 to No. 97, in the song's ninth chart week. Its peak is No. 94.

Within this week's final ten, it has a longer chart run than each of the new entries and re-entries. That is a different kind of information from a spectacular debut: it shows repeated chart appearances, even though the track has not climbed far above its current position. The one-place decline is real, but it does not reveal the size of any change in its underlying consumption.

98. “Why Don't You Say So” — Dexter And The Moonrocks & Avery Anna

Dexter And The Moonrocks and Avery Anna debut at No. 98. This is the third new entry in the final ten, with one week on chart and a peak of No. 98.

For a listener building a discovery queue, this belongs alongside “Storm II” and “BA”: all three are first-time Hot 100 entries this week. The shared credit is another reminder to search for the exact collaboration. Its first position is a starting point for following its chart history, not a prediction of how high it will eventually go.

99. “WNBA” — Drake

Drake's solo entry “WNBA” re-enters at No. 99. It has five accumulated chart weeks and previously peaked at No. 28.

Drake therefore appears twice in this ten-song slice: once with Qendresa and once alone. Both tracks are re-entries. Neither should be described as a brand-new Hot 100 debut, and “WNBA” has already reached the top 30 despite sitting near the lower edge this week.

100. “What's Wrong With Me” — Olivia Rodrigo & Robert Smith

Olivia Rodrigo and Robert Smith occupy the final position with “What's Wrong With Me,” which falls 12 places, from No. 88 to No. 100. It has 16 weeks on chart and a peak of No. 17.

That gives it both the longest chart run and the highest historical peak among these ten songs. Its current position captures this week, not the entirety of its performance. No. 100 is still an appearance on the Hot 100; it is not an automatic verdict about the quality of the music or the future of either artist.

What can readers learn from the bottom of the Hot 100?

Billboard describes the Hot 100↗ (opens in a new tab) as an all-genre chart combining U.S. streaming activity, radio airplay audience impressions and sales. It is not simply Spotify's most-streamed list, a worldwide ranking or a critics' selection.

Three habits make this end of the chart more useful:

• Separate new entries from returning songs. This week, “Storm II,” “BA” and “Why Don't You Say So” are new; “Dance With Me,” “Slap The City” and “WNBA” are re-entries.
• Read the history beside the rank. A current No. 100 can have a previous No. 17 peak. A first-week No. 93 has no longer chart run to assess yet.
• Do not invent a cause from a position. Without supporting reporting or component data, the list cannot prove that a TikTok clip, a playlist placement or a promotional push caused a change.

For artists, chart position also is not a royalty statement. Understanding the money requires a separate look at recording and songwriting income; start with how songwriters get paid from streaming and how music distribution works.

How does this connect to the top ten?

Read the first ten songs on the same October 17 chart alongside this list. The top-ten article covers the week's leaders; this one shows the mix of first arrivals, returning recordings and longer-running tracks near the chart's lower edge. Together, they offer two perspectives on the same week—not two different chart updates.

Frequently asked questions

What are the last ten positions on the Billboard Hot 100?

They are Nos. 91–100. “Last ten” here means the final ten chart positions, not the ten most recently released songs.

What song is No. 100 this week?

On the chart dated October 17, 2026, it is “What's Wrong With Me” by Olivia Rodrigo and Robert Smith.

Does a re-entry count as a new song?

Not in the sense of a first Hot 100 appearance. A re-entry has charted before and returned after being absent. Billboard's total weeks on chart includes its earlier appearances.

Are these the October 24 chart positions?

No. This article is explicitly about the chart dated October 17, 2026, matching our linked top-ten installment. Future charts may have different songs and positions.