STAGE PLOT AND INPUT LIST

The mistake people make

Sending a plot that does not match what turns up. The crew builds to the document, and corrections cost changeover time.

3 quick questions on stage plot and input list. Answers are marked instantly — nothing is sent anywhere.

1. 1. Which statement best describes stage plot and input list?

   AA diagram of where everyone stands and a numbered list of what plugs in where.BVertically stacked speaker elements that behave as one tall source, giving even coverage front to back in larger rooms.CPushing monitors to the edge of feedback and notching the frequencies that ring first, so you get usable stage level.DRadio mics and IEMs must be assigned clear, non-intermodulating frequencies within the legally usable spectrum for that country and venue.

2. 2. What is the mistake people most often make with stage plot and input list?

   ASending a plot that does not match what turns up.BUsing factory default channels for every unit.CTreating a small array as automatically better than a well-placed point-source pair in a small room.DRinging out a room and then changing mic or monitor positions.

3. 3. In practice, which of these applies to stage plot and input list?

   AA transformer split lets you multitrack the show without affecting the FOH gain structure.BPulling a narrow EQ cut at the ringing frequency buys headroom without changing the overall tone much.CThree or four narrow cuts is usually the practical limit before the vocal starts sounding processed.DSend both as a single-page PDF with the advance email, and update it whenever the lineup changes.